The brothers KONGOS -- multi-cultural, multi-faceted,
multi-instrumentalists -- craft a unique and irresistible sound spawned from
shared DNA, diverse influences and spot-on melodic and lyrical sensibilities.
On "Lunatic," their 12-song Epic Records debut, the band's talent
shines on "Come With Me Now"; the title an impossible-to-resist aural
summons, the rock-alt crossover tune kicking off with the accordion, jumping
into foot-stomping, staccato rhythms, slide guitar, and soaring epic soundscapes
reminiscent of U2. "I'm Only Joking," whose lyrics hint at the
album's title, hits the mark with decisive tribal rhythms and Pink Floyd-esque
mysterious modern rock. Thanks to an earlier self-release of
"Lunatic," KONGOS are already stars overseas, playing their numerous
hits off "Lunatic" for crowds of up to 65,000 at South African
festivals and touring the Republic with Linkin Park, and the UK and Europe with
AWOLNATION and Dispatch. With a Feb-March North American tour with Airborne
Toxic Event and alternative and rock radio hot on "Come With Me Now"
and "I'm Only Joking," (not to mention "Come With Me Now"
in promos for NFL, NBA and ESPN), 2014 is quickly shaping up as the year the
U.S. catches KONGOS fever.
KONGOS' life story is as cinematic and captivating as their
songs. The siblings, who range in age from 25 (Danny) to 32 (Johnny), were born
to popular '70s South African/ British singer-songwriter John Kongos
("He's Gonna Step On You Again," "Tokoloshe Man"). Spending
their early childhood in London (all were born there except Danny), then South
Africa before settling in Phoenix in the mid-90s, the boys were exposed to a
wide variety of sounds. "We listened to everything from classical and
opera like Puccini to African tribal music to 60s and 70s pop and rock,"
says Dylan, who cites African bassist Richard Bona, Béla Fleck's Victor Wooten,
and singing players like Sting and Paul McCartney as influences. His rhythm
section partner, Jesse, who studied Jazz at ASU (as did Johnny), remembers
learning boogie-woogie and classical piano as a child before getting into
African drums, then jazz greats like Jack DeJohnette. As KONGOS grew together
as a rock band, Jesse loved the vibe and feel of Zeppelin's John Bonham, and
currently admires gospel and hip hop drummers like Aaron Spears and Carlos
McSwain. Danny also boasts a myriad of influences, ranging from Jeff Beck to
Mahmoud Ahmed -- "the James Brown of Ethiopia" -- for his use of
unconventional pentatonic scales. Johnny, who is a student of jazz and classical
piano, cites Keith Jarrett as a hero, while his accordion playing draws from
various world styles, including South African maskandi and Qawwali music.
Despite the immense and wide-ranging familial talent, the
brothers were never groomed to be a "family band," and as Jesse
notes, "our parents wanted us to learn music like you do Math or
English." But the siblings joke, "we got to a point where we didn't
want to get a real job so we stuck with music." Johnny adds, "Hey,
most of the family bands everyone knows have been hugely successful!" Of
course, the Jackson 5, Beach Boys, the Osmond Brothers and more recently minted
family bands like Kings of Leon do seem to have an advantage inherent in the
DNA. That said, despite inborn talent, KONGOS are all about hard work and
humility. Interestingly, each brother writes separately and brings completed
songs to the group. Additionally, they don't necessarily sing their own songs.
Live, Jesse and Dylan share lead vocals, while on "Lunatic," Johnny
and Danny also sing: "It depends on whose voice works for that song,"
says Dylan. "It's a lot of rehearsing to find where each voice fits; like
Danny has a high register that's nice." To make the family and musical
dynamic smooth, Johnny notes with a laugh: "We are a democracy with an occasional
dictator. Everything band-wise is done together, but recording we give the
power to the songwriter. As for the day to day organization and business, it's
a total democracy."
Clearly, it's a formula that works, and on
"Lunatic," they put all the pieces together into a cohesive whole.
The brothers use a family recording studio -- Tokoloshe Studios -- named after
their father's hit song. Completely self-contained, they write, produce,
engineer and mix/master their music as well as direct, shoot and edit all their
own music videos. Hardly hermits, since debuting at a high school talent show
in 2003 (covering "Eleanor Rigby"!), beginning in 2007 KONGOS played
out incessantly, focusing on building a following in Phoenix, garnering local
airplay, West Coast tours, and eventually coveted slots at SXSW and CMJ. The
years of dedication paid off: In 2011, hanging in the studio, the brothers
decided to email a few songs to South African radio stations. 5FM, the biggest
Top 40 station in South Africa, playlisted "I'm Only Joking," which
hit No. 1 on the rock chart and was the most requested song for 11 weeks in a
row. "In retrospect it was one of those crazy stories; the guy opened the
email and played it on the radio and it changed everything for us in South Africa,"
recalls Johnny. "We didn't expect anything like what happened."
While live is where KONGOS' uplifting, universal musicality
reaches the masses, the studio is indeed a second home for the brothers -- as
kids, at their father's home studio in London, Elton John's or Cat Stevens'
group was often the house band, while the elder Kongos worked with Mutt Lange
to program Def Leppard's drums for "Pyromania." The total lifelong
musical immersion makes "Lunatic" -- and KONGOS -- a rare breed of
band. Fluent in numerous styles and eras, still, at the end of the day, a rock
band. "We're making rock and pop music and our more obscure influences may
only come out when we are attacking an extended solo," they explain.
"But we definitely relate to bigger bands like Daft Punk, Coldplay and
Queens of the Stone Age."
The band also agreed that they were happy with
"Lunatic" being a diverse record: "We each have different styles
and personalities, so we embrace that. We have a KONGOS sound which is not
exactly assigned, but we have an essence, a picture in our mind of what it will
sound like." The press concur, praising the band's "classic rock
elements, African rhythms and Balkan beats" and their "incontestable
youthful talent...[and] emotional outpourings." The bottom line? KONGOS
"want to write music that we like listening to." Fortunately, with
tastes as diverse as theirs, that's a winning proposition for fans of all ages